Journalist Julie Kelly (January 6: How Democrats Used the Capitol Protest to Launch a War on Terror Against the Political Right) is one of those rare, intrepid reporters who will dare to speak the truth when hundreds of thousands who also recognize the undeniable reality are too fearful to speak up and thus remain silent.
“January 6 was an inside job to entrap people who attended Trump’s speech,” stated Kelly in an interview with The Epoch Times’ “Facts Matter” host Roman Balmakov.
Now, amid the debut of the notably dismally viewed six-part-planned, prime-time January 6 “witch hunt” committee hearings this week, Kelly’s assertion is drawing increasing support following the release of a raw and harrowing new documentary, The Truth About January 6th.
“For nothing is concealed that will not become evident, nor anything hidden that will not be known and come to light.” Luke 12:17
What the Hearings Leave Out
Many other vital films that evoke the facts of January 6 that the mass media will otherwise obfuscate from the American public have been released in the past two years.
Acclaimed producer and director Nick Searcy’s Capitol Punishment and Fox Nation’s Patriot Purge dare to expose the truth hidden from the public, but Lang’s deeply personal look at the events of the day uniquely hones in on the extreme weaponization by the U.S. government against the American Right, as Kelly reaffirms consistently in her reporting.
One excellent aspect of this film is the juxtaposition of dozens of mass-media clips that illustrate the soft treatment of the truly violent protesters during the rampant, deadly riots and savage lootings following the death of George Floyd during the summer of 2020, versus the vicious arrests and gulag-style incarceration of Trump supporters who protested at the Capitol.
Black Lives Matters and Antifa protesters who defiled and destroyed public property costing billions of dollars and abused and fought savagely with the intent to kill police have been released — or in many cases were never charged.
Read More @ The New American HERE